West Virginia-born singer Kathy Mattea, best known for hits like "Eighteen Wheels and a Dozen Roses" and "Where've You Been," has often set her musical sights higher than the sort of cliché-ridden romantic fodder for ... more »moonstruck teens and self-absorbed twentysomethings that's so typical with contemporary country radio fare. On Roses, her first release on the small Narada label, Mattea digs even deeper, while often giving free rein to her enduring penchants for Celtic influences and New Age philosophizing. Here she grapples with "grown-up" issues like grief and loss ("Till I Turn to You" and "Ashes in the Wind," written by her husband Jon Vezner) and the human potential for placing love and forgiveness above hate and retaliation ("Guns of Love" and Allen Shamblin and Beth Nielsen Chapman's "Who We Are"). Now and again Mattea lightens up a bit with mid- and uptempo gems like the contemporary gospel parable "That's All the Lumber You Sent" and a beautiful cover of Kim Richey's lilting "I'm Alright." --Bob Allen« less
West Virginia-born singer Kathy Mattea, best known for hits like "Eighteen Wheels and a Dozen Roses" and "Where've You Been," has often set her musical sights higher than the sort of cliché-ridden romantic fodder for moonstruck teens and self-absorbed twentysomethings that's so typical with contemporary country radio fare. On Roses, her first release on the small Narada label, Mattea digs even deeper, while often giving free rein to her enduring penchants for Celtic influences and New Age philosophizing. Here she grapples with "grown-up" issues like grief and loss ("Till I Turn to You" and "Ashes in the Wind," written by her husband Jon Vezner) and the human potential for placing love and forgiveness above hate and retaliation ("Guns of Love" and Allen Shamblin and Beth Nielsen Chapman's "Who We Are"). Now and again Mattea lightens up a bit with mid- and uptempo gems like the contemporary gospel parable "That's All the Lumber You Sent" and a beautiful cover of Kim Richey's lilting "I'm Alright." --Bob Allen
""Roses", Kathy Mattea's latest offering, is a radical departure from her country recordings. Her last effort, "The Innocent Years", was a brilliant collection, but her label (Mercury) obviously didn't promote it enough, and therefore airplay was scarce, and many potential hits were lost. Now, on Narada Records (known for its new age artists), has given Kathy a tremendous opportunity to use that wonderful voice to embrace songs with an obvious "Christian" feel. Using sparse instrumentation throughout, "Roses" has a definite Celtic feel, and it looks as though Kathy's not too concerned about having a "country" hit. All of the songs are remarkable, with the opening "That's All the Lumber You Sent", a humorous look at a man who gets to heaven and finds out he hasn't sent enough "lumber" to earn a place in heaven. "Junkyard" is my favorite; a scathing, heartfelt plea to stop taking junk in our everyday lives. It's powerful. "Who We Are" is a piercing look at the relationship between a mother and daughter, penned by the brilliant Beth Nielsen Chapman.
All in all, "Roses" proves once again that Kathy Mattea is one of our prime female forces. Enjoy----I did."
And What Roses They Are
Dave Parsons | 09/03/2002
(5 out of 5 stars)
"Kathy Mattea's CD reminds me how many times my heart was broken and how many times it was healed... sometimes through effort - sometimes through grace -- usually grace. Kathy's courage to depart from commercialism is dangerous and tasty. She flips the bird to the status quo (nicely), and gives her fans something challenging to embrace at a time when content is the last thing equated with success. I really don't want to talk about the songs on this CD. It would be like giving away the end to "Rosemary's Baby" or "To Kill A Mockingbird." Don't try to figure it out - let it reveal itself to you. This is not microwave popcorn. It's a Sunday dinner: roast with potatoes, carrots and onions surrounding and flavoring everything within reach. There may even be leftovers that taste better tomorrow.In an era of styrofoam and mind-numbing conformity, there is Kathy Mattea. Here is something you won't have to throw away when you get tired of it. Thank God for Kathy Mattea. What's she gonna do with all that lumber? Her pile is full up!Tom H."
Kathy's Best CD....Hands Down
Dave Parsons | Wheeling, WV United States | 07/31/2002
(5 out of 5 stars)
"This first Narada Records CD, "Roses", will probably be overlooked and underplayed by radio in general. And, that is a shame, as it is probably the best album Kathy Mattea has ever made.Mattea has always tried to give the best of her philosophy and life experiences in her music, and then allowed the listener to adapt the songs to their own lives, in their own way. From the opening strains of "That's All The Lumber You Sent", with the Celtic tinged fiddle, along with the storyline of a man's encounter with Saint Peter at the Pearly Gates, sets you on a wonderment journey. "They Are The Roses", has you double checking your behavior, and then shaking your head with the wonderment of children, and the fact that "there is nothing more beautiful and wild, than the dreams that grow in the heart of every child."The songs are upbeat, only 4 of the 12 are slow ballads, lest I give you the idea that these are "sad, country tear your heart out" power ballads, nor are they the sappy feel good songs that Babs Mandrell used to record. This is more like a Tony Robbins seminar, in that if you aren't careful, Mattea lovingly, melodically, calls a gut check on you when you aren't looking, making you reexamine yourself in areas you may not want to deal with. Yet, she does so in that big sister mode, gradually moving you to think and examine through her own example in the songs, and letting you make up your own mind without prejudice."Till I Turn To You" is a flat out prayer to the almighty. The 'excuse me very much', in your face, "Junkyard", talks about the trash heap we get handed daily, and protecting the Holy Ground of our souls. "Who We Are" examines just that, and why is it we stray from that truth. The two tunes Mattea co-penned with Marcus Hummon, "Come Away With Me", and "The Slender Thread That Bind Us Here", show the talent, and depth of Kathy Mattea, that was always there, and is now set free to express itself through song-writing.In the tradition of putting artists into categories or genres of music, it is so nice to still see Kathy Mattea coloring outside of the lines."
Food for the Soul
T. Yap | Sydney, NSW, Australia | 08/12/2002
(4 out of 5 stars)
"Mattea's dalliance with non-commercial, introspective material has been known throughout her career. However, in order to get her name out there, she has recorded some radio friendly hits in the past (like "Walking Away a Winner," "Nobody's Gonna Rain on Our Parade"), keeping her records in balance between what's food for the soul as well as commercially viable. Without the pressure of a Nashville heavyweight label, Mattea has been given free rein as far as this CD goes. This CD is by far the most introspective and soul enriching album she has had ever made. Top marks goes to hubby Jon Vezner penned "Ashes in the Wind." A haunting melodic piano led ballad detailing the story of an unrequited love. Bearing some similarity to the emotional depth of Mattea's top 10 hit "Where Have You Been," "Ashes" is by far a top notch career song for Mattea. A song that deserves a two thumbs up.Other cuts that breathe as much emotional depth is theBeth Nielsen Chapman "Who We Are" which deals with the issue of forgiveness and reconcilation. On a more upbeat tune, dealing with the same theme is "Guns of Love." As with her previous albums, Mattea has not shy away from spiritual issues. "Till I Turn to You" is a prayer of surrender to God that is extremely moving and beautiful. While "That's All the Lumber You Need" has hints of spirituality in it too. So why is this CD not receiving the prestigous 5 star rating? Though Mattea had to be heartily congratulated for choosing songs with pensive, reflective and thoughtful lyrics, many a times the melodies are not up to parr. A few songs can be quite repetitious (e.g. "Guns of Love") and a bit crowded in its arrangement (e.g. "Junkyard" and "They are the Roses"). A more sparse arrangement with a more tone down drums would perhaps bring Mattea's warm voice crooning over its superb lyrics out a little more. Nevertheless, a thought provoking album of insightful songs with splashes of celtic and country influences."
Mattea gets it done
Mark Darley | Fort Lauderdale Florida(English Expat) | 08/23/2002
(5 out of 5 stars)
"What can I say? For those of us living in England we have had to make do with the recorded material as Kathy rarely tours here. Sadly recent albums have been patchy to say the least.Then comes 'Roses' one familiar tune in 'I'm Alright' and a whole slew of new and intersting songs. There is not a weak song o the whole CD and her wonderful reassuring voice is in truly peak form. Superb musicianship throughout compliments the songs with a gaelic flavour to the fore. The only disappointment is that Dougie McClean her collaborator in years past is not represented.The songs are the usual array of intelligent , well arranged thought provokers that deal with real life and our reactions or feelings. No commercial pap here just honest well worked songs that will be played time and again. It would be great to see the CD sell but such intelligent stuff is not what the Biz pushes these days. Thankyou Kathy and when oh when will she play in England again. On the evidence of this CD I will just have to emigrate !"