The late Harry Nilsson's creative and commercial peak, this LP showcases the singer-songwriter's lighthearted worldview to best advantage. It remains one of the best, most consistent, and least dated albums from an early-'... more »70s era not known for underplayed, unpretentious subtlety. Here you get strong interpretive singing (how ironic that this tunesmith's biggest hits were covers, such as Badfinger's "Without You"), inventive arranging (the hilarious, marble-mouthed "Coconut"), and distinctive melodicism (check out that lovely paean to the stars, "The Moonbeam Song"). In keeping with the domesticated figure on the cover--complete with housecoat, cigarette, and waiting refrigerator--the mood is laidback and homey, and there's a palpable feeling of comfort in both the production and the material. Nilsson's multi-octave voice was never so full of life. Other albums (like the John Lennon-produced Pussy Cats and the essential Nilsson Sings Newman) have their moments, but this is where to begin any Nilsson collection. (The 2004 reissue boasts superb remastering and six bonus cuts: one unreleased original tune, three demos, a Spanish version of "Without You," and a true oddity called "Lamaze.") --Don Harrison« less
The late Harry Nilsson's creative and commercial peak, this LP showcases the singer-songwriter's lighthearted worldview to best advantage. It remains one of the best, most consistent, and least dated albums from an early-'70s era not known for underplayed, unpretentious subtlety. Here you get strong interpretive singing (how ironic that this tunesmith's biggest hits were covers, such as Badfinger's "Without You"), inventive arranging (the hilarious, marble-mouthed "Coconut"), and distinctive melodicism (check out that lovely paean to the stars, "The Moonbeam Song"). In keeping with the domesticated figure on the cover--complete with housecoat, cigarette, and waiting refrigerator--the mood is laidback and homey, and there's a palpable feeling of comfort in both the production and the material. Nilsson's multi-octave voice was never so full of life. Other albums (like the John Lennon-produced Pussy Cats and the essential Nilsson Sings Newman) have their moments, but this is where to begin any Nilsson collection. (The 2004 reissue boasts superb remastering and six bonus cuts: one unreleased original tune, three demos, a Spanish version of "Without You," and a true oddity called "Lamaze.") --Don Harrison
"This beautiful album has not recieved the love and affection it deserves throughout the years. There have been numerous CD releases and all (except for the $30 Mobile Fidelity gold CD) have woefully inadequate fidelity due to incompetent mastering jobs and/or poor source material.
The Camden import CD series were taken from cassette quality tape dubs and mastered for that "You aren't there" sound. The recent Japan remasters sound fine but have that very annoying digital hiss removal which destroyed the transients and made things sound like MP3's. Grrrrr!
This CD version was mastered from the original tapes by Vic Anesini. Vic's name is usually the mark of quality. You can buy with confindence when you see his name. He's made this album sound right... finally. It's not as top ended as the MFSL gold CD but that disc was sourced from Richard Perry's personal tapes and not the original masters. Vic has made some wise EQ choices and things sound smooth, natural and pleasing.
The bonus tracks are nice although all have been released before on various discs.
Again, buy with confidence. This is a wonderful album needing a place in everyone's music library."
Harry Nilsson's Classic Finally Gets Remastered!
highway_star | Hallandale, Florida United States | 01/19/2004
(5 out of 5 stars)
"In 1971, singer/songwriter Harry Nilsson released the album entitled "Nilsson Schmilsson", and what many consider to be his best work. The smash hit "Without You" (written by Pete Ham & Tom Evans of Badfinger) was the album's first hit and it went straight to number one on the pop and adult contemperary charts. But the album also spawned several other hits as well with the reggaeish tune "Coconut" and the frantic rocker "Jump Into The Fire". The musicians on "Nilsson Schmilsson" are first rate with artists such as Jim Gordon (drummer for Derek & The Dominos), Klaus Voorman (played bass guitar on John Lennon's "Imagine" album), Chris Spedding (an accomplished guitarist) and Gary Wright (keyboardist for Spooky Tooth) all adding their two bits on this excellent album. The songs are full of pop tunes such as "Gotta Get Up", "Driving Along", "Coconut" and the seven minute rock classic "Jump Into The Fire". You've got ballads here such as the above mentioned "Without You" and "I'll Never Leave You". There are also six bonus tracks included in this newly remastered version such as "Si No Estas Tu" (Spanish Version Of "Without You"), "How Can I Be Sure", "The Moonbeam Song (Demo Version)", "Lamaze", "Old Forgotten Soldier (Demo Version" and "Gotta Get Up (Demo Version)". The remastering is excellent and certainly surpasses the non-remastered version with increased mid-range, bass and extended output. Ranked in the Top 100 albums of all time, "Nilsson Schmilsson" certainly has earned it's rightful place and is an album all lovers of seventies music should have in their collection."
Nilsson's Best Get's the Deluxe Treatment
Roger Smith | Oviedo, FL USA | 01/13/2004
(5 out of 5 stars)
"Harry Nilsson's best-selling album has been remastered and includes extensive liner notes and a number of bonus tracks.
The bonus tracks on the CD are:"Si No Estas Tu" - Nilsson's version of "Without You" in Spanish."How Can I Be Sure of You" - This original Nilsson song has never been released before. Harry never finished "How Can I Be Sure of You", but reused some of the song's lyrics for "Good For God". "The Moonbeam Song" - An early, alternative version of the song, with Harry on piano. Curtis describes this as "a lovely band arrangement, with some surprisingly agile piano work from Harry." "Lamaze" - "Lamaze" is another unreleased Nilsson original. Apparently done as a joke during the sessions for The Story of Eric, this "theme" has a dissonant piano counterpoint and very funny fake French lyrics. Brief but memorable. "Old Forgotten Soldier" - This version of Harry's song uses the same basic tracks as the recent Camden release, but incorporates highly complex multi-tracked backing vocals that no one knew were there before. "Gotta Get Up" - This is Harry's original version of the song with a George Tipton arrangement. In addition to the above songs, the CD contains three unlisted radio spots, two of which feature brief comments from Richard Perry about the album and Harry. For the liner notes, Curtis Armstrong conducted lengthy interviews with Richard Perry, Paul Buckmaster, George Tipton, Chris Spedding, Herbie Flowers, Dean Torrence, and Gary Wright."
Wonderful Music
Lonnie E. Holder | Columbus, Indiana, United States | 08/23/2005
(5 out of 5 stars)
"Nilsson is a rarity, an artists' artist, lauded by such names as Paul McCartney, John Lennon, Three Dog Night, Blood, Sweat and Tears and numerous others. Nilsson's commercial success was less dramatic than his artistic influence. However, in November, 1971, Harry released "Nilsson Schmilsson" and achieved his greatest commercial success. This album reached #3 on the charts and remained on the charts for 46 weeks. The album also yielded a cover of Badfinger's "Without You," a powerful tearjerker with incredible vocals that stands as one of the greatest love songs of all times.
In addition to "Without You" are bouncy pop tunes such as "Gotta Get Up," "Driving Along," and "Down." When I listen to "Down" I hear a style that is very similar to that used a few years later by Billy Joel. "Coconut" has been made famous more recently as a commercial for a certain cola brand. Rest assured that Harry Nilsson was not thinking of a soft drink when he original wrote this clever song. All the voices you hear in this song belong to Harry, though it sounds as if three different people are singing.
This CD is made multi-dimensional with songs such as the blues infused "Early in the Morning." "The Moonbeam Song" recalls the work that Harry did for "The Point." This song is ethereal, dreamy and more than a little magical. "Let the Good Times Roll" has country and blues flavors to it, supported by a steel guitar and a harmonica.
This CD originally finished with two longer songs. "Jump into the Fire" has a harder and faster edge to it, and is over seven minutes long. This song is somewhat experimental for Nilsson, but the length is somewhat similar to a few songs by other groups in the era. The song contains lengthy instrumental portions and few lyrics. This song would perhaps not fit onto this CD except it is in the company of other songs that are similarly stylistically different from each other.
The CD originally finished with the beautiful song "I'll Never Leave You." This gorgeous love song is slow and mellow with a lot of strings and harmonies, and Nilsson's wonderful voice. This song is very powerful and even at four minutes in length it leaves you wanting more.
The remastered version of this excellent CD includes six bonus tracks; a Spanish version of "Without You," "How Can I Be Sure," "Lamaze," and demo versions of "The Moonbeam Song," "Old Forgotten Soldier," and "Gotta Get Up." As with most bonus tracks, some are interesting, others are just filler. Many of these have appeared on other CDs, so they may end up being duplicates in a comprehensive collection.
Harry Nilsson had an incredible voice and created music that nearly everyone has heard in one venue or another. Nilsson did the theme song for "The Courtship of Eddie's Father" and more recently the classic song "Coconut" has appeared in a cola commercial. While Harry Nilsson never became as famous as many of his contemporaries, that fault was often as much that of record companies who did not care for his free-thinking ways as the public who sometimes did not know what to make of his music. Looking back we can put into perspective how creative and ground-breaking Nilsson was, and cherish his better recordings. Of those recordings, this one may be the best.
"
5 star album; 3 star remaster
Gordon Pfannenstiel | Russell, KS United States | 12/12/2006
(4 out of 5 stars)
"I was delighted when, finally, Nilsson Schmilsson was finally getting the "deluxe" release treatment. I'd paid big bucks for the import in the late 90s, and that was such a disappointment, sonically.
Well, despite reviews to the contrary, the sonics on this release are not much better, and do not hold a candle to the original LP. My old LP may have a few pops, but it blows this CD release away, sonically. I don't know how that can be, but believe me, it's true
This, along with Son Of Schmilsson, is a truly classic pop/rock album. Maybe someday they'll do it right. After all this time, I'll done holding my breath."